- BPM
- 117
- Key
- A♭ Major
- Camelot
- 4B
Ave Maria (Othello) - Renata Tebaldi, Professori d´Orchestra e Artisti del Coro della Scala Information
- Acousticness
- 99%
- Danceability
- 26%
- Energy
- 4%
- Instrumentalness
- 1%
- Liveness
- 33%
- Loudness
- 57%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 6%
- Loudness
- -26.092 dB
Summary
"Ave Maria (Othello)" by Renata Tebaldi, Professori d´Orchestra e Artisti del Coro della Scala was released on August 14, 2006. With this song being about 5 minutes long, at 4:44, "Ave Maria (Othello)" by Renata Tebaldi, Professori d´Orchestra e Artisti del Coro della Scala is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Renata Tebaldi's "Lebendige Vergangenheit - Renata Tebaldi" album is number 15 out of 15. In terms of popularity, Ave Maria (Othello) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ave Maria (Othello) BPM
We consider the tempo marking of Ave Maria (Othello) by Renata Tebaldi, Professori d´Orchestra e Artisti del Coro della Scala to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
Ave Maria (Othello) Key
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | |
 | Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | |
 | Andrea Chénier / Act 4: Vicino a te | Umberto Giordano, Mario del Monaco, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | D♭ Major | 3 | 3B | 91 BPM | |
 | "Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM | |
 | La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | |
 | Carmen (1997 - Remaster), Act I: Sur la place | Georges Bizet, Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 105 BPM | |
 | Caro mio ben | Tomasso Giordani, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | F Major | 1 | 7B | 85 BPM | |
 | Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | |
 | Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | |
 | Wagner: Tristan und Isolde, Act III: Liebestod. "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | B Major | 2 | 1B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6323802471160889
End: 0.6373312473297119