"Präludium Und Fuge In C-Moll BWV 549, Präludium" by Ton Koopman was released on February 6, 1988. With Präludium Und Fuge In C-Moll BWV 549, Präludium being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 12 in Bach: Orgelwerke II (Organ Works II) by Ton Koopman. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Präludium Und Fuge In C-Moll BWV 549, Präludium's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Präludium Und Fuge In C-Moll BWV 549, Präludium by Ton Koopman is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Missa Quadragesimalis, MH 552: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | B♭ Minor | 1 | 3A | 135 BPM | ||
12 Flute Sonatas (1724): Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 65 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Auf Christi Himmelfahrt allein BWV 128: Chorale: Alsdenn so wirst du mich | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Deborah York, Sandrine Piau, Johannette Zomer | F♯ Major | 1 | 2B | 81 BPM | ||
Organ Concerto No. 13 in F Major, "Cuckoo and the Nightingale" HWV 295: 3. Organo ad libitum: Aria & Passpied (Telemann) | George Frideric Handel, Peter Hurford | A Major | 0 | 11B | 71 BPM | ||
Viola da Gamba Suite in D Major: VIII. Aria | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 114 BPM | ||
Matthäus Passion, BWV 244: Aria, "Blute nur, du liebes Herz!" | Johann Sebastian Bach, Ton Koopman, Boys Choir Of Sacraments-Church Breda | D Major | 0 | 10B | 124 BPM | ||
Sonata No. 1 in D Major, Op. 5: III. Allegro | Arcangelo Corelli, Rémy Baudet, Jaap Ter Linden, Mike Fentross, Pieter-Jan Belder | D Minor | 2 | 7A | 79 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
A New Ground in E Minor, Z.T682 | Henry Purcell, Terence R. Charlston | F♯ Minor | 2 | 11A | 56 BPM |
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