"Lyric Pieces Book IV, Op. 47: No. 3 Melodie" by Edvard Grieg, Emil Gilels was released on January 1, 1974. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Edvard Grieg, Emil Gilels's "Grieg: Lyric Pieces" album is number 6 out of 20. Lyric Pieces Book IV, Op. 47: No. 3 Melodie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lyric Pieces Book IV, Op. 47: No. 3 Melodie by Edvard Grieg, Emil Gilels to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Rêverie, L. 68 | Claude Debussy, Menahem Pressler | F♯ Minor | 0 | 11A | 160 BPM | ||
Piano Concerto No. 3 in C, Op. 26: 1. Andante - Allegro | Sergei Prokofiev, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | A Minor | 3 | 8A | 133 BPM | ||
Nocturne No. 1 in E flat, Op. 33, No. 1 | Gabriel Fauré, Kun-Woo Paik | B Major | 0 | 1B | 170 BPM | ||
Choral "Ich ruf zu Dir, Herr Jesu Christ", BWV 639 | Johann Sebastian Bach, Simone Dinnerstein | A♭ Major | 0 | 4B | 109 BPM | ||
4 Impromptus Op. 142, D.935: No. 2 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 70 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM |
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