"Ionisation" by Edgard Varèse, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 2001. Ionisation is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. This song is part of Varése: Amériques; Arcana; Déserts; Ionisation by Edgard Varèse, Chicago Symphony Orchestra, Pierre Boulez. The song's track number on the album is #4 out of 4 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Ionisation's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Ionisation by Edgard Varèse, Chicago Symphony Orchestra, Pierre Boulez has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Ionisation being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Imaginary Landscape No. 1 | The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage | C Major | 3 | 8B | 142 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Different Trains: Europe, During the War | Steve Reich, Kronos Quartet | F♯ Major | 4 | 2B | 171 BPM | ||
Let Me Tell You, Pt. III: I Know You Are There | Hans Abrahamsen, Barbara Hannigan, Andris Nelsons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 69 BPM | ||
3 Pieces for Orchestra, Op. 6: 1. Praeludium (Prelude) | Alban Berg, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 128 BPM | ||
In Nomine-Instrumentation colorée I (2001) for flute, oboe, bass clarinet, percussion, piano, violin, viola and Violoncello | John Taverner, Gérard Pesson, Ensemble Recherche | D Major | 3 | 10B | 120 BPM | ||
Pierrot Lunaire, Op. 21 / Part 2: VIII. Die Nacht | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | G Major | 0 | 9B | 97 BPM | ||
Violin Sonata: I. Andante semplice | Aaron Copland, Paul Posnak, Peter Zazofsky | G Major | 0 | 9B | 95 BPM | ||
Ecuatorial | Edgard Varèse, Thomas Bloch, Camerata Silesia, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | A♭ Major | 3 | 4B | 111 BPM | ||
The Dreams and Prayers of Isaac the Blind: Prelude: Calmo, Sospeso | Osvaldo Golijov, Kronos Quartet | F♯ Minor | 0 | 11A | 88 BPM |
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