"Gaetano Donizetti: Don Pasquale - Che interminabile adiri vieni (Dienerchor)" by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner was released on November 26, 2001. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 20 in Die Schönsten Opernchöre Vol. 2 by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner. Gaetano Donizetti: Don Pasquale - Che interminabile adiri vieni (Dienerchor) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gaetano Donizetti: Don Pasquale - Che interminabile adiri vieni (Dienerchor) by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
"Heia, heia, in den Bergen ist mein Heimatland" | Emmerich Kálmán, Anna Netrebko | C Minor | 4 | 5A | 72 BPM | ||
Roméo et Juliette, 'Romeo and Juliet' (1997 Digital Remaster): Je veux vivre (Waltz) | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | F Major | 2 | 7B | 81 BPM | ||
Guten Abend, gut' Nacht, Op. 49, No. 4 | Johannes Brahms, Jonas Kaufmann | E♭ Major | 0 | 5B | 71 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | G Major | 1 | 9B | 75 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
A Tanto Duol (Bianca e Fernando) | José van Dam | B♭ Major | 2 | 6B | 87 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM |
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