"Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 5. Romeo & Juliet before parting" by Minnesota Orchestra, Stanisław Skrowaczewski was released on March 30, 2010. Since Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 5. Romeo & Juliet before parting is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Soviet Classics (Standing Ovation Series)". In this album, this song's track order is #9. Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 5. Romeo & Juliet before parting is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 5. Romeo & Juliet before parting by Minnesota Orchestra, Stanisław Skrowaczewski having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non moto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 1 | 4A | 82 BPM | ||
Die Walküre, WWV 86B - Concert version / Dritter Aufzug: The Ride of the Valkyries | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Major | 4 | 9B | 91 BPM | ||
Flyer Is a Verb - Live | Dessa, Minnesota Orchestra | B♭ Major | 5 | 6B | 119 BPM | ||
Fauré: Sicilienne, Op. 78 | Gabriel Fauré, Gautier Capuçon, Michel Dalberto | E♭ Major | 0 | 5B | 137 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.8. In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Eine Alpensinfonie Op. 64: Wanderung neben dem Bache - | Minnesota Orchestra, Edo de Waart | F Minor | 2 | 4A | 112 BPM | ||
Airs Espagnols, Op. 18 (version for violin and orchestra) | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 108 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM |
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