"Nocturne In B Major Op.40" by Budapest Philharmonic Orchestra was released on May 1, 2010. The duration of Nocturne In B Major Op.40 is about 3 minutes long, at 3:14. Based on our data, "Nocturne In B Major Op.40" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of World Classical 2010 by Various Artists. The song's track number on the album is #85 out of 100 tracks. Nocturne In B Major Op.40 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nocturne In B Major Op.40 by Budapest Philharmonic Orchestra has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nocturne In B Major Op.40 being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Nezd, hogy derul mar a varam (5. Ajto) (Look, my castle gleams and brightens (Door 5)) (Bluebeard, Judith) | Béla Bartók, Katalin Kasza, Gyorgy Melis, Hungarian Radio and Television Chorus, Budapest Philharmonic Orchestra, Janos Ferencsik | B♭ Major | 1 | 6B | 88 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | F Minor | 2 | 4A | 84 BPM | ||
Peer Gynt - Solveig's Song | Radio Orchestra Berlin | A Minor | 0 | 8A | 85 BPM | ||
Invocation, Op. 19, No. 2 | Gustav Holst, Julian Lloyd Webber, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 87 BPM | ||
The Golden Age Suite, Op. 22a: Adagio | Dmitri Shostakovich, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | E♭ Major | 0 | 5B | 86 BPM | ||
Khachaturian: Spartacus Suite No. 2: I. Adagio of Spartacus and Phrygia | Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra | D♭ Major | 1 | 3B | 104 BPM | ||
Fauré Pavane | Gabriel Fauré, David Parry, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
I'te vurria vasà | Eduardo di Capua, Alfredo Mazzucchi, Plácido Domingo, Eugene Kohn, Budapest Philharmonic Orchestra | F Major | 2 | 7B | 83 BPM | ||
Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro | Johann Sebastian Bach, Philharmonia Slavonica, Karel Brazda | B♭ Major | 1 | 6B | 135 BPM | ||
Divertmento n.1 in Re Maggiore K 136 | Chamber Orchestra Armonie | C Major | 1 | 8B | 176 BPM |
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