"Boito: Mefistofele, Act 1 Scene 2: "Dai campi, dai prati" (Faust, Mefistofele)" by Arrigo Boito, Norman Treigle, Julius Rudel, London Symphony Orchestra was released on 1974. The duration of Boito: Mefistofele, Act 1 Scene 2: "Dai campi, dai prati" (Faust, Mefistofele) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Boito: Mefistofele, Act 1 Scene 2: "Dai campi, dai prati" (Faust, Mefistofele)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 36 in Boito: Mefistofele by Arrigo Boito, Plácido Domingo, Julius Rudel. Boito: Mefistofele, Act 1 Scene 2: "Dai campi, dai prati" (Faust, Mefistofele) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Boito: Mefistofele, Act 1 Scene 2: "Dai campi, dai prati" (Faust, Mefistofele) by Arrigo Boito, Norman Treigle, Julius Rudel, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
La Bohème (2003 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIÈME ACTE: Quando me'n vo | Maria Callas, Georges Prêtre, Orchestre National de la RTF | D♭ Major | 2 | 3B | 80 BPM | ||
Soy Dalí Excerpt | Hermanos Ferrando, Ignacio Ferrando, Jorge Ferrando | B♭ Major | 1 | 6B | 112 BPM | ||
Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A Major | 2 | 11B | 76 BPM | ||
Così fan tutte, K.588, Act I: Aria. "Come scoglio immoto resta" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Caro Nome - Live | André Rieu, Johann Strauss Orchestra, Micaëla Oeste | C Major | 10 | 8B | 127 BPM | ||
Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM | ||
Delibes: Lakmé, Act 1: "Viens là ! là !" (Hadji, Nilakantha, Lakmé, Choeur) | Léo Delibes, Michel Plasson, Charles Burles, Choeur Du Capitole De Toulouse, José van Dam, Natalie Dessay, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 65 BPM |
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