Vienna State Opera Orchestra, Josef Drechsler's 'Steirische Tänze Op. 165' came out on November 21, 1994. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wiener Opernball by Various Artists. The song's track number on the album is #14 out of 14 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. In terms of popularity, Steirische Tänze Op. 165 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Steirische Tänze Op. 165 by Vienna State Opera Orchestra, Josef Drechsler has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Steirische Tänze Op. 165 being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Blue Danube, Op. 314 | Johann Strauss II, Ludwig van Beethoven, Vienna State Opera Orchestra, Carl Michalski | D Major | 1 | 10B | 181 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act III: "Marie Theres'! Hab' mir's gelobt" (Octavian, Marschallin, Sophie) | Richard Strauss, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich-Randall, Herbert von Karajan, Philharmonia Orchestra | D♭ Major | 2 | 3B | 94 BPM | ||
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
L'Estro Armonico, Op. 3, Concerto No. 6 in A Minor for violin and strings, RV356:. iii. Presto | Vivaldi, Jan Tomasow, Mario Rossi, Herman Nordberg, Vienna State Opera Orchestra | A Minor | 2 | 8A | 95 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Carnival Overture - 2024 Remastered Version | Antonín Dvořák, Arthur Fiedler, Boston Symphony Orchestra | G Minor | 2 | 6A | 126 BPM | ||
L'Arlésienne Suite No.2: Intermezzo | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 88 BPM | ||
Bizet: Symphony in C Major, WD 33: II. Adagio | Georges Bizet, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 81 BPM | ||
Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
Lehár: Giuditta, Tableau 4: "Meine Lippen, sie küssen so heiss" (Giuditta) | Franz Lehár, Lucia Popp, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 1 | 11B | 79 BPM |
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