"Bellini: I Capuleti e i Montecchi, Act I: "Oh! Quante volte" (Giulietta)" by Vincenzo Bellini, Natalie Dessay, Evelino Pidò, Concerto Köln was released on January 7, 2008. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 16 in Bellini, Donizetti, Verdi: Italian Opera Arias by Natalie Dessay. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bellini: I Capuleti e i Montecchi, Act I: "Oh! Quante volte" (Giulietta) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bellini: I Capuleti e i Montecchi, Act I: "Oh! Quante volte" (Giulietta) by Vincenzo Bellini, Natalie Dessay, Evelino Pidò, Concerto Köln is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La boheme, Act II: Quando m'en vo' soletta, "Musetta's Waltz" | Giacomo Puccini, Luba Orgonasova, Carmen Gonzales, Jonathan Welch, Fabio Previati, Boaz Senator, Ivan Urbas, Jiri Sulzenko, Slovak Radio Symphony Orchestra, Will Humburg | A Major | 1 | 11B | 122 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Alyabyev: Solovey | Alexander Alyabyev, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | D Minor | 1 | 7A | 88 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | E♭ Major | 1 | 5B | 181 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
I Capuleti e i Montecchi: Act I: No. 7: Deh! Per pietà t'arresta | Vincenzo Bellini, Roberto Abbado | G Major | 3 | 9B | 127 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | B♭ Major | 1 | 6B | 103 BPM | ||
Soave sia il vento | Amici forever | E Major | 3 | 12B | 77 BPM |
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