Cantata, BMV 208: IX. Aria "Schafe können sicher weiden" (arr. for Cello & Piano)
Johann Sebastian Bach, Aleksander Debicz, Marcin Zdunik
Bach Stories
3:48 April 17, 2017
BPM
66
Key
B♭ Major
Camelot
6B

Embed

Share Link

Cantata, BMV 208: IX. Aria "Schafe können sicher weiden" (arr. for Cello & Piano) - Johann Sebastian Bach, Aleksander Debicz, Marcin Zdunik Information

Acousticness
99%
Danceability
28%
Energy
6%
Instrumentalness
96%
Liveness
12%
Loudness
56%
Speechiness
4%
Valence
23%
Popularity
Loudness
-26.279 dB

Summary

Johann Sebastian Bach, Aleksander Debicz, Marcin Zdunik's 'Cantata, BMV 208: IX. Aria "Schafe können sicher weiden" (arr. for Cello & Piano)' came out on April 17, 2017. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 30 in Bach Stories by Johann Sebastian Bach, Aleksander Debicz, Marcin Zdunik. Cantata, BMV 208: IX. Aria "Schafe können sicher weiden" (arr. for Cello & Piano) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cantata, BMV 208: IX. Aria "Schafe können sicher weiden" (arr. for Cello & Piano) BPM

The tempo marking of Cantata, BMV 208: IX. Aria "Schafe können sicher weiden" (arr. for Cello & Piano) by Johann Sebastian Bach, Aleksander Debicz, Marcin Zdunik is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Cantata, BMV 208: IX. Aria "Schafe können sicher weiden" (arr. for Cello & Piano) Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Souvenir d'un lieu cher, Op. 42: 3. Mélodie by Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel HardingSouvenir d'un lieu cher, Op. 42: 3. MélodiePyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel HardingE♭ Major05B99 BPM
5 Anniversaries: No. 5, For Susanna Kyle by Leonard Bernstein, Warren Lee5 Anniversaries: No. 5, For Susanna KyleLeonard Bernstein, Warren LeeC Major08B98 BPM
Cello Sonata, FP 143: Cavatine: Tres calme by Francis Poulenc, Françoise Groben, Alexandre TharaudCello Sonata, FP 143: Cavatine: Tres calmeFrancis Poulenc, Françoise Groben, Alexandre TharaudB♭ Minor03A122 BPM
Adagio in E Major, K. 261 by Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber OrchestraAdagio in E Major, K. 261Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber OrchestraE Major112B100 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major by Johannes Brahms, Idil Biret16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat MajorJohannes Brahms, Idil BiretA♭ Minor31A111 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Piano Trio No. 3 in C Minor, Op. 1, No. 3: II. Andante cantabile con variazioni by Ludwig van Beethoven, Yo-Yo Ma, Emanuel Ax, Leonidas KavakosPiano Trio No. 3 in C Minor, Op. 1, No. 3: II. Andante cantabile con variazioniLudwig van Beethoven, Yo-Yo Ma, Emanuel Ax, Leonidas KavakosE Minor19A74 BPM
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. Allegro by Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw SzulcConcerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. AllegroJohann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw SzulcG Major19B122 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
Cello Concerto in C Minor, RV 401: II. Adagio by Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas KraemerCello Concerto in C Minor, RV 401: II. AdagioAntonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas KraemerA Minor18A83 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5905611515045166

End: 0.5936880111694336