Francesco Paolo Tosti, José Carreras, English Chamber Orchestra, Edoardo Muller's 'La Serenata' came out on January 1, 2010. The duration of La Serenata is about 3 minutes long, at 3:12. Based on our data, "La Serenata" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Neapolitan Songs". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Netherlands. La Serenata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Serenata by Francesco Paolo Tosti, José Carreras, English Chamber Orchestra, Edoardo Muller having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mario: Santa Lucia Luntana | Ermes Alessandro Mario, Andrea Bocelli, Academy Of Choir Art Of Russia, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | F Major | 2 | 7B | 89 BPM | ||
The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Alain Lombard, Mady Mesple, Orchestre du Theatre National de IOpera-Comique | E Minor | 1 | 9A | 70 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Pique Dame, Op. 68, TH. 10: Akh, istomilas ya gorem | Pyotr Ilyich Tchaikovsky, Anna Netrebko, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | G Minor | 1 | 6A | 79 BPM | ||
La mia canzone | Francesco Cimmino, Francesco Paolo Tosti, Julian Jootaek Kim, Young Min Lee | F Minor | 6 | 4A | 96 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
«Ninon» | Leo Nucci | E Major | 1 | 12B | 168 BPM |
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