"4 Sketches, Op. 15: No. 3. Dreaming (arr. for cello and piano)" by Amy Beach, Ambache Chamber Ensemble was released on November 1, 2003. 4 Sketches, Op. 15: No. 3. Dreaming (arr. for cello and piano) is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 7 out of 7 in Beach: Violin Sonata in A Minor / String Quartet, Op. 89 / Pastorale for Woodwind Quintet / Dreaming by Amy Beach, Ambache Chamber Ensemble. 4 Sketches, Op. 15: No. 3. Dreaming (arr. for cello and piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Sketches, Op. 15: No. 3. Dreaming (arr. for cello and piano) by Amy Beach, Ambache Chamber Ensemble is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | ||
On the Overgrown Path / Book 1: No. 7, Good Night! | Leoš Janáček, Olena Kushpler | G Major | 0 | 9B | 58 BPM | ||
wind whispers, Op. 85: II. floating leaf | Konstantia Gourzi, William Youn | F Major | 0 | 7B | 69 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Unsent Love Letters | Elena Kats-Chernin, Tamara Anna Cislowska | D♭ Major | 0 | 3B | 183 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM |
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