Symphony No. 4 in A Major, Op. 90, "Italian," I. Allegro vivace
Vienna State Opera Orchestra
Mendelssohn: Orchestral Masterpieces
8:14 March 23, 2004
BPM
140
Key
A Major
Camelot
11B

Embed

Share Link

Symphony No. 4 in A Major, Op. 90, "Italian," I. Allegro vivace - Vienna State Opera Orchestra Information

Acousticness
89%
Danceability
29%
Energy
30%
Instrumentalness
85%
Liveness
19%
Loudness
73%
Speechiness
4%
Valence
27%
Popularity
Loudness
-16.4 dB

Summary

Vienna State Opera Orchestra's 'Symphony No. 4 in A Major, Op. 90, "Italian," I. Allegro vivace' came out on March 23, 2004. Since Symphony No. 4 in A Major, Op. 90, "Italian," I. Allegro vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Prohaska, Mischa Elman, Vienna State Opera Orchestra, Vladimir Golschman's "Mendelssohn: Orchestral Masterpieces" album is number 1 out of 15. Based on our statistics, Symphony No. 4 in A Major, Op. 90, "Italian," I. Allegro vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 4 in A Major, Op. 90, "Italian," I. Allegro vivace BPM

We consider the tempo marking of Symphony No. 4 in A Major, Op. 90, "Italian," I. Allegro vivace by Vienna State Opera Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.

Symphony No. 4 in A Major, Op. 90, "Italian," I. Allegro vivace Key

The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Variations on an Original Theme, Op. 36 Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio)Edward Elgar, London Symphony Orchestra, Eugen JochumE♭ Major15B86 BPM
The Gypsy Princess: Weisst du es noch? by Emmerich Kálmán, Hans Hagen, Vienna State Opera OrchestraThe Gypsy Princess: Weisst du es noch?Emmerich Kálmán, Hans Hagen, Vienna State Opera OrchestraD Major210B103 BPM
Concerto for 1 Trumpet and Orchestra in E-Flat Major, Hob.VIIe: III. Allegro by Hermann Scherchen, Roger Delmotte, Vienna State Opera OrchestraConcerto for 1 Trumpet and Orchestra in E-Flat Major, Hob.VIIe: III. AllegroHermann Scherchen, Roger Delmotte, Vienna State Opera OrchestraE♭ Major25B147 BPM
Cendrillon: Introduction by Jules Massenet, Philharmonia Orchestra, Julius RudelCendrillon: IntroductionJules Massenet, Philharmonia Orchestra, Julius RudelC Major18B74 BPM
Liebestraum No. 3 by Franz Liszt, Arthur FiedlerLiebestraum No. 3Franz Liszt, Arthur FiedlerA♭ Major14B79 BPM
Der Rosenkavalier, Op.59 / Act 1: Introduction by Richard Strauss, Munich Philharmonic Orchestra, Christian ThielemannDer Rosenkavalier, Op.59 / Act 1: IntroductionRichard Strauss, Munich Philharmonic Orchestra, Christian ThielemannE Major112B94 BPM
Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes I & II (1) - Remastered 2024 by Johann Sebastian Bach, Hermann Scherchen, Vienna State Opera OrchestraOrchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes I & II (1) - Remastered 2024Johann Sebastian Bach, Hermann Scherchen, Vienna State Opera OrchestraC Major08B75 BPM
Jeux d'enfants, Op. 22 WD 56 - Petite Suite: III. Impromptu: La toupie by Georges Bizet, Royal Concertgebouw Orchestra, Bernard HaitinkJeux d'enfants, Op. 22 WD 56 - Petite Suite: III. Impromptu: La toupieGeorges Bizet, Royal Concertgebouw Orchestra, Bernard HaitinkG Major19B67 BPM
Mascagni: Cavalleria rusticana: Preludio (Andante sostenuto) by Pietro Mascagni, Victoria de los Ángeles, Franco Corelli, Mario Sereni, Adriana Lazzarini, Corinna Vozza, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di RomaMascagni: Cavalleria rusticana: Preludio (Andante sostenuto)Pietro Mascagni, Victoria de los Ángeles, Franco Corelli, Mario Sereni, Adriana Lazzarini, Corinna Vozza, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di RomaF Major17B93 BPM
Bizet: Carmen, Act 1: Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons)Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen StaatsoperB♭ Major16B109 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7987806797027588

End: 0.8043992519378662