12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation II by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel

Song Analysis

Audio information that is featured on 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation II by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel.

Acousticness

98%

Energy

6%

Liveness

11%

Speechiness

4%

Danceability

40%

Instrumentalness

88%

Loudness

57%

Valence

70%

Harmonic Matches

Find songs that harmonically matches to 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation II by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Piano Sonata No. 1 in F Minor, Op. 2, No. 1: II. Adagio by Ludwig van Beethoven, Igor LevitPiano Sonata No. 1 in F Minor, Op. 2, No. 1: II. AdagioLudwig van Beethoven, Igor LevitF Major07B67
Kinderszenen, Op.15: 7. Träumerei by Robert Schumann, Alfred BrendelKinderszenen, Op.15: 7. TräumereiRobert Schumann, Alfred BrendelF Major07B135
Orfeo Ed Euridice: Dance Of The Blessed Spirits (Act 2) by Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von KarajanOrfeo Ed Euridice: Dance Of The Blessed Spirits (Act 2)Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von KarajanF Major17B73
Night on the Bare Mountain (Original Version) by Modest Mussorgsky, Kirill KarabitsNight on the Bare Mountain (Original Version)Modest Mussorgsky, Kirill KarabitsF Major27B141
Symphony No. 6: I. Allegro energico, ma non troppo by Gustav Mahler, Berliner Philharmoniker, Kirill PetrenkoSymphony No. 6: I. Allegro energico, ma non troppoGustav Mahler, Berliner Philharmoniker, Kirill PetrenkoF Major27B120
Haydn: String Quartet in F Major, Op. 77 No. 2, Hob. III:82: II. Minuet. Presto - Trio by Franz Joseph Haydn, Alban Berg QuartettHaydn: String Quartet in F Major, Op. 77 No. 2, Hob. III:82: II. Minuet. Presto - TrioFranz Joseph Haydn, Alban Berg QuartettF Major17B119
Serse, HWV 40, Act I: Ombra mai fu (Arr. for Cello and Piano) by George Frideric Handel, Raphaela Gromes, Julian RiemSerse, HWV 40, Act I: Ombra mai fu (Arr. for Cello and Piano)George Frideric Handel, Raphaela Gromes, Julian RiemF Major27B172
Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) by Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg SoltiOrfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits)Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg SoltiF Major17B79
Countless Days by On PianoCountless DaysOn PianoF Major17B106
Violin Sonata No. 5 in F Major, Op. 24 Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. AllegroLudwig van Beethoven, Gidon Kremer, Martha ArgerichF Major17B147
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Choir) by Johannes Brahms, Swedish Radio Choir, Daniel Harding, Swedish Radio Symphony OrchestraEin deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Choir)Johannes Brahms, Swedish Radio Choir, Daniel Harding, Swedish Radio Symphony OrchestraF Major07B54
Kinderszenen, Op. 15: 8. Am Kamin by Robert Schumann, Martha ArgerichKinderszenen, Op. 15: 8. Am KaminRobert Schumann, Martha ArgerichF Major17B140
I See The Light - From I See The Light - From "Tangled"Royal Philharmonic OrchestraF Major27B94
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits by Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl MünchingerOrfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed SpiritsChristoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl MünchingerF Major17B67
Romances (1992 Digital Remaster): G, Op.40 (c1802) by Philharmonia Orchestra, Sir John Pritchard, Yehudi MenuhinRomances (1992 Digital Remaster): G, Op.40 (c1802)Philharmonia Orchestra, Sir John Pritchard, Yehudi MenuhinF Major17B171
Aquarelle (Unidentified) by Radio Orchestra BerlinAquarelle (Unidentified)Radio Orchestra BerlinF Major17B85
Elizabethan Serenade by Slovak Radio Symphony Orchestra, Ronald BingeElizabethan SerenadeSlovak Radio Symphony Orchestra, Ronald BingeF Major07B149
Beethoven: Trio for Oboe, Clarinet and Bassoon C Major, Op. 87: II. Adagio by Ludwig van Beethoven, Les Vents Français, Eric Le SageBeethoven: Trio for Oboe, Clarinet and Bassoon C Major, Op. 87: II. AdagioLudwig van Beethoven, Les Vents Français, Eric Le SageF Major07B66
Ave Maria, WAB 6 by Anton Bruckner, Choir of King's College, Cambridge, Stephen CleoburyAve Maria, WAB 6Anton Bruckner, Choir of King's College, Cambridge, Stephen CleoburyF Major17B89

12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation II by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel Information

This song is track #26 in Beethoven: Classical Summer by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel, which has a total of 167 tracks. The duration of this track is 0:35 and was released on June 7, 2021. As of now, this track is currently not as popular as other songs out there. 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation II doesn't provide as much energy as other songs but, this track can still be danceable to some people.

12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation II BPM

12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation II has a BPM of 100. Since this track has a tempo of 100, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation II Key

The key of 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation II is F Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

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