Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra made "The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation I: Flute, Piccolo (Presto)" available on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation I: Flute, Piccolo (Presto) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 20 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Based on our statistics, The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation I: Flute, Piccolo (Presto)'s popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation I: Flute, Piccolo (Presto) by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 13, Finale | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | A Major | 4 | 11B | 107 BPM | ||
Digging Up Billy | John Debney | B♭ Major | 4 | 6B | 75 BPM | ||
Don Quixote: Prologue: Sancho Panza, saved from his pursuers, is appointed Don Quixote's squire | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 0 | 8B | 119 BPM | ||
Spock’s Arrival | Jerry Goldsmith | B♭ Major | 3 | 6B | 72 BPM | ||
Witches Capture Dani | John Debney | C Major | 3 | 8B | 82 BPM | ||
Symphony No. 1 in D Major "Titan": IIc. Tempo primo | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 127 BPM | ||
Symphony in C: I. Moderato alla breve | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Major | 2 | 9B | 85 BPM | ||
Barber: Adagio for Strings, Op. 11 | Samuel Barber, Eugene Ormandy, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 80 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) | Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 146 BPM | ||
James Makes Some Friends - From "James and the Giant Peach" / Score | Randy Newman | F Minor | 0 | 4A | 77 BPM |
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