Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart, Barbara Bonney, Südfunk-Chor, Hans Peter Blochwitz, Jan-Hendrik Rootering's 'Die Schöpfung HobXXI/2, PART 2: Der Herr ist gross in seiner Macht:Soli (Gabriel, Uriel, Raphael) mit Chor' came out on 1990. The duration of Die Schöpfung HobXXI/2, PART 2: Der Herr ist gross in seiner Macht:Soli (Gabriel, Uriel, Raphael) mit Chor is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Die Schöpfung HobXXI/2, PART 2: Der Herr ist gross in seiner Macht:Soli (Gabriel, Uriel, Raphael) mit Chor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sir Neville Marriner's "Haydn: Die Schoepfung" album is number 20 out of 35. In terms of popularity, Die Schöpfung HobXXI/2, PART 2: Der Herr ist gross in seiner Macht:Soli (Gabriel, Uriel, Raphael) mit Chor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung HobXXI/2, PART 2: Der Herr ist gross in seiner Macht:Soli (Gabriel, Uriel, Raphael) mit Chor by Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart, Barbara Bonney, Südfunk-Chor, Hans Peter Blochwitz, Jan-Hendrik Rootering to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 0 | 3A | 83 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Elegy for Strings, Op. 58 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 0 | 4A | 169 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 2: No. 8, In the Hall of the Mountain King | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 105 BPM | ||
Tippett: Concerto for Double String Orchestra: II. Adagio cantabile | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 76 BPM | ||
Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM |
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