"Concerto n°1 en ré majeur: Andante, Falk. 41" by Wilhelm Friedemann Bach, Brigitte Haudebourg, Orchestre Pro Arte, Kurt Redel was released on 2010. Since Concerto n°1 en ré majeur: Andante, Falk. 41 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 12 in Bach : Concerto pour clavecin by Wilhelm Friedemann Bach, Brigitte Haudebourg, Orchestre Pro Arte, Kurt Redel. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Concerto n°1 en ré majeur: Andante, Falk. 41 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto n°1 en ré majeur: Andante, Falk. 41 by Wilhelm Friedemann Bach, Brigitte Haudebourg, Orchestre Pro Arte, Kurt Redel is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Román népi táncok (Romanian Folk Dances), BB 76: No. 1. Jocul cu bata: Molto moderato | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | A Minor | 0 | 8A | 93 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Peter Forgach, Onix Chamber Orchestra | C Major | 3 | 8B | 95 BPM | ||
Movement I: Heroes | Philip Glass, Dennis Russell Davies, Sinfonieorchester Basel | F Major | 1 | 7B | 120 BPM | ||
Armide Opera In 5 Acts With Prologue: Passacaille | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 119 BPM | ||
La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 72 BPM | ||
Concerto Pastorale in G Major: Aria II: Lento e sempre piano | Johann Melchior Molter, Daniel Hope, Zürcher Kammerorchester | G Minor | 0 | 6A | 95 BPM | ||
Sinfonia in G Major: I. Allegro | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 1 | 10B | 131 BPM | ||
Piano Quintet in E-flat Major, Op. 44: II. In modo d'una Marcia. Un poco largamente - Agitato | Juilliard String Quartet, Leonard Bernstein | F Minor | 1 | 4A | 75 BPM | ||
Suite in G minor, F. 24: IV. Menuetto alternativo - Trio | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 0 | 9B | 124 BPM |
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