Gaite Parisienne (after J. Offenbach): 16. Cancan - Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra Information

Acousticness: 79%
Danceability: 50%
Energy: 37%
Instrumentalness: 34%
Liveness: 39%
Loudness: 67%
Speechiness: 7%
Valence: 68%
Popularity: 2%
Loudness: -19.782 dB

Summary

Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra made "Gaite Parisienne (after J. Offenbach): 16. Cancan" available on July 8, 1999. The duration of Gaite Parisienne (after J. Offenbach): 16. Cancan is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Gaite Parisienne (after J. Offenbach): 16. Cancan's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Offenbach / Rosenthal: Gaite Parisienne / Offenbachiana". In this album, this song's track order is #17. Based on our statistics, Gaite Parisienne (after J. Offenbach): 16. Cancan's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Gaite Parisienne (after J. Offenbach): 16. Cancan BPM

With Gaite Parisienne (after J. Offenbach): 16. Cancan by Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Gaite Parisienne (after J. Offenbach): 16. Cancan Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella"	Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano	A♭ Major	1	4B	82 BPM
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	G Major	0	9B	103 BPM
Light Cavalry Overture	Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis	A Major	3	11B	85 BPM
Gaite Parisienne (after J. Offenbach): 18. Allegro	Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra	D Major	3	10B	118 BPM
L'italiana in Algeri: Overture	Gioachino Rossini, Wiener Philharmoniker, Claudio Abbado	C Major	1	8B	154 BPM
L'Arlésienne Suite No. 1, WD 40: 1. Prélude	Georges Bizet, Orchestre de Paris, Semyon Bychkov	C Minor	0	5A	71 BPM
Sibelius: Karelia Suite, Op. 11: III. Alla marcia	Jean Sibelius, Sir John Barbirolli, Hallé	A Major	3	11B	83 BPM
Rossini: Les Soirées musicales: VIII. La Danza (Arr. for Trumpet & Orchestra)	Gioachino Rossini, Lucienne Renaudin Vary, Roberto Rizzi Brignoli, Orchestre National de Lille	F Major	3	7B	150 BPM
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits)	Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer	D Major	0	10B	80 BPM
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance	George Frideric Handel, Academy of Ancient Music, Christopher Hogwood	D♭ Major	4	3B	102 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7746105194091797

End: 0.7787821292877197