"Wallfisch: Final Kiss" by Yuja Wang, Benjamin Wallfisch was released on January 1, 2013. With this song being about 5 minutes long, at 4:59, "Wallfisch: Final Kiss" by Yuja Wang, Benjamin Wallfisch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Summer In February". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Based on our statistics, Wallfisch: Final Kiss's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wallfisch: Final Kiss by Yuja Wang, Benjamin Wallfisch having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
3 Mélodies, Op. 7: No. 1: Après un rêve (Arr. for viola and organ) | Gabriel Fauré, Louis-Noël Bestion de Camboulas, Adrien La Marca | A♭ Major | 1 | 4B | 74 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
The Embrace | Michael Nyman | D Major | 2 | 10B | 90 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM | ||
Piano Concerto: X. Return. Swing | Teddy Abrams, Yuja Wang, Louisville Orchestra | A♭ Major | 5 | 4B | 90 BPM | ||
Devonshire - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | F Major | 1 | 7B | 174 BPM |
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