Ludwig van Beethoven, のだめオーケストラ made "Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第2楽章" available on January 30, 2010. Since Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第2楽章 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ベートーヴェン 交響曲第7番イ長調作品92, so we believe that "Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第2楽章" is a single. Based on our statistics, Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第2楽章's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第2楽章 by Ludwig van Beethoven, のだめオーケストラ is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major "Titan": III. Feierlich Und Gemessen, Ohne Zu Schleppen | Gustav Mahler, Czech Philharmonic, Semyon Bychkov | A Minor | 0 | 8A | 70 BPM | ||
Schön Ella, Op. 27 (Excerpts): Entr'acte to Act III | Heinrich Marschner, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 0 | 11B | 111 BPM | ||
Vremena goda, Op. 67: XV. Allegro | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | F Major | 2 | 7B | 121 BPM | ||
Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": 1. Adagio sostenuto | Valentina Lisitsa | D♭ Minor | 0 | 12A | 70 BPM | ||
Leonore Prohaska, WoO 96: Trauermarsch - Remastered 2023 | Ludwig van Beethoven, Minnesota Orchestra, Stanisław Skrowaczewski | C Major | 0 | 8B | 62 BPM | ||
Violin Concerto in F Minor, RV 297 "L'Inverno" (Arr. for Piano): I. Allegro non molto | Antonio Vivaldi, Francesco Grillo | F Minor | 1 | 4A | 150 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, Budapest Strings, Karoly Botvay | F Major | 1 | 7B | 63 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 73 BPM | ||
Symphony No. 1 in C Minor, Op. 32: II. Adagio cantabile | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | A♭ Major | 0 | 4B | 131 BPM | ||
Serenade for Strings in E Major, B.52: V. Finale. Allegro Vivace | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | E Major | 1 | 12B | 168 BPM |
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