Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine made "Carmen Fantasy, Op.25: 4. Moderato" available on January 1, 1993. The duration of Carmen Fantasy, Op.25: 4. Moderato is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Carmen Fantasy, Op.25: 4. Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 11 in Anne-Sophie Mutter - Carmen-Fantasie by Anne-Sophie Mutter, Wiener Philharmoniker, James Levine, Gabriel Fauré, Giuseppe Tartini, Henryk Wieniawski, Jules Massenet, Maurice Ravel, Pablo de Sarasate. Carmen Fantasy, Op.25: 4. Moderato is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Carmen Fantasy, Op.25: 4. Moderato by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 5 in A Major, K. 219 "Turkish": 1. Allegro aperto | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | A Major | 1 | 11B | 126 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 82 BPM | ||
Concert fantasie on La forza del destino, Op. 1 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | B Major | 1 | 1B | 95 BPM | ||
24 Caprices, Op. 1: No. 9 in E major | Ilya Kaler | E Major | 1 | 12B | 85 BPM | ||
Ravel: Tzigane, M. 76 | Maurice Ravel, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | D Major | 1 | 10B | 142 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
9 Studies: No. 1. Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | G Major | 1 | 9B | 129 BPM |
Section: 0.8437492847442627
End: 0.8479275703430176