- BPM
- 67
- Key
- G Minor
- Camelot
- 6A
Adams: Harmonielehre: II. The Anfortas Wound - John Adams, San Francisco Symphony, Michael Tilson Thomas Information
- Acousticness
- 94%
- Danceability
- 6%
- Energy
- 5%
- Instrumentalness
- 87%
- Liveness
- 10%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 14%
- Loudness
- -22.72 dB
Summary
"Adams: Harmonielehre: II. The Anfortas Wound" by John Adams, San Francisco Symphony, Michael Tilson Thomas was released on 2010. Adams: Harmonielehre: II. The Anfortas Wound appears to be safe for all ages as it is not explicit. The song is number 2 out of 4 in Adams: Harmonielehre & Short Ride in a Fast Machine by John Adams, San Francisco Symphony. Adams: Harmonielehre: II. The Anfortas Wound is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Adams: Harmonielehre: II. The Anfortas Wound BPM
The tempo marking of Adams: Harmonielehre: II. The Anfortas Wound by John Adams, San Francisco Symphony, Michael Tilson Thomas is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Adams: Harmonielehre: II. The Anfortas Wound Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Appalachian Spring: I. Very Slowly | Aaron Copland, London Symphony Orchestra | A Major | 0 | 11B | 67 BPM | |
 | Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | C Major | 1 | 8B | 145 BPM | |
 | Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | |
 | Cello Sonata: I. Dialogo | György Ligeti, Miklós Perényi | F Major | 0 | 7B | 94 BPM | |
 | Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 156 BPM | |
 | IV. White Man Sleeps | Kevin Volans, Kronos Quartet | E Minor | 0 | 9A | 83 BPM | |
 | Nocturnes, L. 91: I. Nuages (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A♭ Major | 3 | 4B | 113 BPM | |
 | The Red Pony Suite: I. Morning On The Ranch | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 1 | 7B | 75 BPM | |
 | Piano Trio No.2, Op.67: 4. Allegretto - Adagio | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | F♯ Minor | 0 | 11A | 84 BPM | |
 | The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Royal Scottish National Orchestra Chorus, Female members, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 0 | 4B | 55 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7505943775177002
End: 0.754401445388794