Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher's 'Sonate in A Minor: V. Gigue' came out on 2005. The duration of Sonate in A Minor: V. Gigue is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Sonate in A Minor: V. Gigue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Schmelzer: Sonatae a violino solo". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. Based on our statistics, Sonate in A Minor: V. Gigue's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonate in A Minor: V. Gigue by Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairy Queen, Z. 629, Act I: Hornpipe | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 110 BPM | ||
Rossi: L'Orfeo, Act 3: Dormite, begl'occhi | Luigi Rossi, Christina Pluhar | C Minor | 0 | 5A | 105 BPM | ||
Sonata in A Major, Op. 1 No. 14, HWV 372: III. Largo | George Frideric Handel, Bojan Čičić, Steven Devine | A♭ Major | 3 | 4B | 122 BPM | ||
Sonata quarta in D Major: II. Variatio | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | F♯ Minor | 2 | 11A | 100 BPM | ||
Partie 2 en ut mineur: Sonata | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Minor | 2 | 10A | 123 BPM | ||
Sonata No. 3 in B Minor, "The Nativity": III. Double | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | B♭ Minor | 3 | 3A | 159 BPM | ||
Membra Jesu Nostri, BuxWV 75: Concerto [Ad pedes] | Dietrich Buxtehude, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Ricercar Consort, Matthias Vieweg | D♭ Major | 3 | 3B | 114 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: II. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 0 | 11A | 131 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM |
Section: 0.639836311340332
End: 0.6460273265838623