"Triple Concerto For Violin, Cello And Piano In C Major, Op. 56: II. Largo" by Maria Kliegel, Dong-Suk Kang, Jenő Jandó, Nicolaus Esterhazy Sinfonia, Ludwig van Beethoven was released on July 31, 1998. With this song being about 5 minutes long, at 5:03, "Triple Concerto For Violin, Cello And Piano In C Major, Op. 56: II. Largo" by Maria Kliegel, Dong-Suk Kang, Jenő Jandó, Nicolaus Esterhazy Sinfonia, Ludwig van Beethoven is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 6 in Beethoven: Triple Concerto, Op. 56 / Piano Concerto In D Major, Op. 61a by Maria Kliegel. Triple Concerto For Violin, Cello And Piano In C Major, Op. 56: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Triple Concerto For Violin, Cello And Piano In C Major, Op. 56: II. Largo by Maria Kliegel, Dong-Suk Kang, Jenő Jandó, Nicolaus Esterhazy Sinfonia, Ludwig van Beethoven is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 101 In D Major, Hob.I:101 - "The Clock": 2. Andante | Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado | D♭ Major | 0 | 3B | 74 BPM | ||
String Quartet No.2 in D: 3. Notturno | Alexander Borodin, Emerson String Quartet | A Major | 1 | 11B | 86 BPM | ||
Fantasia in C Major, Hob. XVII: 4 | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 2 | 8B | 134 BPM | ||
Violin Concerto No.1 In A Minor, Op.99 (Formerly Op.77): 2. Scherzo (Allegro) | Dmitri Shostakovich, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | F Major | 3 | 7B | 113 BPM | ||
Violin Concerto No. 9 in A Minor, Op. 104: III. Rondo: Allegretto moderato | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | A Major | 1 | 11B | 84 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Sarah Chang, Kurt Masur, Dresdner Philharmonie | E♭ Major | 1 | 5B | 101 BPM | ||
Romance No. 1 In G Major, Op. 40 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | G Major | 0 | 9B | 88 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Vladimir Ashkenazy, London Symphony Orchestra, David Zinman | D Minor | 2 | 7A | 96 BPM |
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