"Timepieces: I. —" by Jonathan Harvey, BBC Scottish Symphony Orchestra, Stefan Solyom was released on April 1, 2012. Since Timepieces: I. — is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jonathan Harvey, BBC Scottish Symphony Orchestra, Ilan Volkov, Stefan Solyom's "Harvey: Body Mandala, Timepieces, Tranquil Abiding, White as Jasmine & …Towards a Pure Land" album is number 3 out of 12. Based on our statistics, Timepieces: I. —'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Timepieces: I. — by Jonathan Harvey, BBC Scottish Symphony Orchestra, Stefan Solyom to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blue Nee - Acoustic | SA'DIYAH NEE | B♭ Minor | 1 | 3A | 120 BPM | ||
Up in the Night Sky | KiriVi | C Minor | 0 | 5A | 160 BPM | ||
Let Me Tell You, Pt. III: I Know You Are There | Hans Abrahamsen, Barbara Hannigan, Andris Nelsons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 69 BPM | ||
A brief story of Peter Abelard (verson for soprano saxophone and organ) | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | B♭ Minor | 1 | 3A | 68 BPM | ||
Symphony No. 2: II | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Héraclite|Démocrite|Diogène | François Couperin, Unknown, Lawrence Zazzo, Soraya Mafi, Víctor Sordo, Tercia Realidad, Jorge Jimenez | A Minor | 1 | 8A | 120 BPM | ||
Jackson Pollock (1950-51) for two Cellos: II Pollock Paints | Morton Feldman, Lucas Fels, Tobias Moster | E Minor | 0 | 9A | 64 BPM | ||
The Lamentations Of Jeremiah: 1. Incipit lamentatio | Thomas Tallis, The Hilliard Ensemble | D Minor | 1 | 7A | 133 BPM | ||
Pa1p1 | Ionel Petroi | A Minor | 0 | 8A | 90 BPM |
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