"Romeo & Juliet, Op. 64, Act I: No. 19, Balcony Scene" by Sergei Prokofiev, Baltimore Symphony Orchestra, Marin Alsop was released on March 9, 2018. The duration of Romeo & Juliet, Op. 64, Act I: No. 19, Balcony Scene is about 3 minutes long, at 3:18. Based on our data, "Romeo & Juliet, Op. 64, Act I: No. 19, Balcony Scene" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 52 in the song's album "Prokofiev: Romeo & Juliet, Op. 64". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Hong Kong. Romeo & Juliet, Op. 64, Act I: No. 19, Balcony Scene is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo & Juliet, Op. 64, Act I: No. 19, Balcony Scene by Sergei Prokofiev, Baltimore Symphony Orchestra, Marin Alsop having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Symphony No. 5: I. — | Roy Harris, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 108 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM | ||
Symphony No. 6 In F Major: Larghetto | William Boyce, English String Orchestra, William Boughton, English Symphony Orchestra, The Gulbenkian Orchestra, Austro-Hungarian Haydn Orchestra, BBC Welsh Symphony Orchestra, Hungarian State Symphony Orchestra | F Major | 0 | 7B | 78 BPM | ||
Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra) | Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | A Minor | 1 | 8A | 134 BPM |
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