- BPM
- 89
- Key
- G Major
- Camelot
- 9B
Fugue pour le concours de fugue (1882) (arr. N. Ogawa for piano) - Noriko Ogawa, Claude Debussy Information
- Acousticness
- 100%
- Danceability
- 35%
- Energy
- 12%
- Instrumentalness
- 81%
- Liveness
- 12%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 24%
- Popularity
- 5%
- Loudness
- -29.255 dB
Summary
Noriko Ogawa, Claude Debussy's 'Fugue pour le concours de fugue (1882) (arr. N. Ogawa for piano)' came out on February 7, 2012. With this song being about 5 minutes long, at 5:07, "Fugue pour le concours de fugue (1882) (arr. N. Ogawa for piano)" by Noriko Ogawa, Claude Debussy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 101 in Debussy: The Solo Piano Works by Claude Debussy, Noriko Ogawa, Lan Shui. Fugue pour le concours de fugue (1882) (arr. N. Ogawa for piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fugue pour le concours de fugue (1882) (arr. N. Ogawa for piano) BPM
The tempo marking of Fugue pour le concours de fugue (1882) (arr. N. Ogawa for piano) by Noriko Ogawa, Claude Debussy is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Fugue pour le concours de fugue (1882) (arr. N. Ogawa for piano) Key
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 4 Lyric Pieces, Op. 74: No. 3 Auf dem Tanzvergnugen (The Pleasures of the Dance) | Jean Sibelius, Håvard Gimse | C Major | 2 | 8B | 91 BPM | |
 | Pièces froides, Airs à faire fuir: No. 2, Modestement | Erik Satie, Noriko Ogawa | G Minor | 1 | 6A | 87 BPM | |
 | Piano Sonata No. 12 in F Major, K. 332: I. Allegro | Wolfgang Amadeus Mozart, Noriko Ogawa | F Major | 1 | 7B | 145 BPM | |
 | Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | |
 | Prelude in in B Minor, Op. 28, No. 6 | Frédéric Chopin, Vladimir Horowitz | E Major | 0 | 12B | 126 BPM | |
 | Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Noriko Ogawa, Malmö Symphony Orchestra, Owain Arwel Hughes | C Major | 0 | 8B | 98 BPM | |
 | Nocturne in 3 Scenes, Op. 72: I. Tahdet tuikkivat (The Stars are Twinkling) | Selim Palmgren, Risto Lauriala | D♭ Major | 1 | 3B | 102 BPM | |
 | Frosoblomster (Froso-Flowers), Book 2: No. 3. Langt bort i skogarna (Far Away in the Forest) | Wilhelm Peterson-Berger, Noriko Ogawa | C Major | 0 | 8B | 64 BPM | |
 | Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | E Major | 0 | 12B | 86 BPM | |
 | Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.2494730949401855
End: 1.2530438899993896