Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.21 in B flat major BWV890' came out on 2004. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 89 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.21 in B flat major BWV890's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.21 in B flat major BWV890 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
6 Consolations, S. 172: No. 1 In E Major (Andante con moto) | Franz Liszt, Daniel Barenboim | A Major | 0 | 11B | 88 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.8 in D sharp minor BWV877 | Daniel Barenboim | E♭ Minor | 1 | 2A | 146 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.2 in C minor BWV871 | Daniel Barenboim | E♭ Major | 1 | 5B | 92 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
Concerto grosso in D Major, Op. 3/1, RV. 549: III. Allegro | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Michaela Comberti, Miles Golding, Jaap Ter Linden, The English Concert, Trevor Pinnock | F Major | 1 | 7B | 90 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
L'Apprenti sorcier | Paul Dukas, Orchestre de Paris, Daniel Barenboim | F Minor | 3 | 4A | 133 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 4 in E Minor, Allegro commodo | Bedřich Smetana, Jitka Čechová | E Minor | 1 | 9A | 141 BPM |
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