Stefan Jeschko made "Slåtter - 17 Norwegian Peasant Dances For Piano, op. 72: IX. Nils Revke's Hailling" available on 1990. With Slåtter - 17 Norwegian Peasant Dances For Piano, op. 72: IX. Nils Revke's Hailling being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Slovak Philharmonic, Bystrik Rezucha, Stefan Jeschko's "Music For The Millions Vol. 9 - Edvard Grieg" album is number 12 out of 12. In terms of popularity, Slåtter - 17 Norwegian Peasant Dances For Piano, op. 72: IX. Nils Revke's Hailling is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Slåtter - 17 Norwegian Peasant Dances For Piano, op. 72: IX. Nils Revke's Hailling by Stefan Jeschko to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude No. 18, F-Moll, op. 28 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | F Minor | 1 | 4A | 105 BPM | ||
La traviata / Act 3: Prelude | Giuseppe Verdi, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 71 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: IIIb. Cadenza | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien | D Major | 1 | 10B | 85 BPM | ||
Suite from "The Gadfly", Op. 97a: VIII. Romance | Ivan Peev, Sofia Symphony Orchestra | D♭ Major | 1 | 3B | 106 BPM | ||
Soirees a Saint-Petersbourg, Op. 44: No. 1. Romance in E-Flat Major (arr. for string ensemble) | Anonymous, Anton Rubinstein, Budapest Strings, Béla Bánfalvi | E♭ Major | 0 | 5B | 106 BPM | ||
Symphony No. 7 in A major, Op. 92: III. Presto | Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 93 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Concerto No. 5 in D Major, BWV1050, I. Allegro | Johann Sebastian Bach, Oliver von Dohnanyi, Slovak Chamber Orchestra | E Major | 0 | 12B | 91 BPM | ||
Schumann: Waldszenen, Op. 82: No. 7, Vogel als Prophet | Robert Schumann, Cyprien Katsaris | E Major | 0 | 12B | 81 BPM | ||
12 Études, Op. 10: No. 7 in C Major "Toccata" | Frédéric Chopin, Jan Lisiecki | C Major | 2 | 8B | 121 BPM |
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