Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow's 'Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 155: III. Alla Polacca' came out on November 1, 2006. Since Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 155: III. Alla Polacca is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weber: Clarinet Concertos by Carl Maria von Weber, Martin Fröst, Jean-Jacques Kantorow. The song's track number on the album is #10 out of 11 tracks. In terms of popularity, Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 155: III. Alla Polacca is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 155: III. Alla Polacca by Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 155: III. Alla Polacca being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin & Orchestra, Op. 14: 2. Andante | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | E Major | 1 | 12B | 84 BPM | ||
Primal Blues | Anders Hillborg, Martin Fröst | G Minor | 1 | 6A | 89 BPM | ||
Symphony No.7 In A, Op.92: 3. Presto - Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 120 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Trio in A Minor, Op. 114: III. Andantino grazioso | Johannes Brahms, Martin Fröst, Roland Pöntinen, Torleif Thedéen | A Major | 0 | 11B | 144 BPM | ||
Beethoven: Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Itzhak Perlman, Carlo Maria Giulini, Philharmonia Orchestra | A Minor | 2 | 8A | 113 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM | ||
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Tchaikovsky: Violin Concerto in D Major, Op. 35: II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Eugene Ormandy, Philadelphia Orchestra | E♭ Major | 0 | 5B | 122 BPM |
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