"Meine Lippen sie küssen so heiss (from "Giuditta")" by Elisabeth Schwarzkopf, Otto Ackermann, Orchestra Philharmonia was released on June 14, 2011. With this song being about 5 minutes long, at 5:07, "Meine Lippen sie küssen so heiss (from "Giuditta")" by Elisabeth Schwarzkopf, Otto Ackermann, Orchestra Philharmonia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 21 in Elisabeth Schwarzkopf sings Operetta by Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann. In terms of popularity, Meine Lippen sie küssen so heiss (from "Giuditta") is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Meine Lippen sie küssen so heiss (from "Giuditta") by Elisabeth Schwarzkopf, Otto Ackermann, Orchestra Philharmonia is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heut' noch werd'ich Ehefrau (from "Der Graf von Luxemburg") | Elisabeth Schwarzkopf, Otto Ackermann, Orchestra Philharmonia | E Major | 2 | 12B | 85 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
Requiem: X. Lacrymosa | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, John Relyea, Christine Brewer, Karen Cargill, London Symphony Orchestra | B♭ Minor | 1 | 3A | 83 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Carmen, WD 31 / Act I: Chanson et Duo: "Près des remparts de Séville" | Georges Bizet, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 76 BPM | ||
Otello / Act 1: "Una vela! Una vela!" | Giuseppe Verdi, Alan Opie, Anthony Rolfe Johnson, John Keyes, Leo Nucci, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 3 | 4B | 73 BPM |
Section: 0.9117155075073242
End: 0.915116548538208