Nagoya Marimbas - Steve Reich, Sean Connors, Peter Martin Information

Acousticness
98%
Danceability
51%
Energy
31%
Instrumentalness
95%
Liveness
9%
Loudness
69%
Speechiness
10%
Valence
61%
Popularity
Loudness
-18.897 dB

Summary

Steve Reich, Sean Connors, Peter Martin made "Nagoya Marimbas" available on February 12, 2016. With this song being about 5 minutes long, at 4:47, "Nagoya Marimbas" by Steve Reich, Sean Connors, Peter Martin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Reich: Mallet Quartet, Sextet, Nagoya Marimbas & Music for Pieces of Wood". In this album, this song's track order is #9. The popularity of Nagoya Marimbas is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Nagoya Marimbas BPM

With Nagoya Marimbas by Steve Reich, Sean Connors, Peter Martin having a BPM of 199 with a half-time of 100 BPM and a double-time of 398 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Nagoya Marimbas Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
M - Music I - Inside C - Curved E-Entrances by Terry RileyM - Music I - Inside C - Curved E-EntrancesTerry RileyF♯ Minor611A100 BPM
Channels Passing by Paul DresherChannels PassingPaul DresherB♭ Major36B90 BPM
Sonatas and Interludes for Prepared Piano: Sonata No. 5 by John Cage, Boris BermanSonatas and Interludes for Prepared Piano: Sonata No. 5John Cage, Boris BermanB Minor010A92 BPM
China Gates by John Adams, Yuja WangChina GatesJohn Adams, Yuja WangE♭ Minor12A161 BPM
O Virtus Sapientae (Arr. M. Beiser for Cello & Electronics) by Hildegard von Bingen, Maya BeiserO Virtus Sapientae (Arr. M. Beiser for Cello & Electronics)Hildegard von Bingen, Maya BeiserA Minor38A77 BPM
Dream by John Cage, Alexei LubimovDreamJohn Cage, Alexei LubimovC Minor05A67 BPM
The Wandering Kind (arr. B. Bacanu, V. Petrov, C. Sietzen and Emiko Uchiyama for 4 marimbas) by Josh Groban, The Wave QuartetThe Wandering Kind (arr. B. Bacanu, V. Petrov, C. Sietzen and Emiko Uchiyama for 4 marimbas)Josh Groban, The Wave QuartetA♭ Major24B97 BPM
Grand Pianola Music: On the Great Divide by John AdamsGrand Pianola Music: On the Great DivideJohn AdamsE♭ Major25B84 BPM
Electric Counterpoint - Slow by Svet StoyanovElectric Counterpoint - SlowSvet StoyanovE Major412B196 BPM
Open Water (From Open Water (From "Paddle to the Sea")David Skidmore, Sean Connors, Robert Dillon, Peter Martin, Third Coast PercussionA♭ Major24B67 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.57271409034729

End: 0.5769400596618652