On January 1, 1998, the song "Danza Andaluza No. 1" was released by Celedonio Romero, Pepe Romero. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Songs My Father Taught Me". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Danza Andaluza No. 1 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Danza Andaluza No. 1 by Celedonio Romero, Pepe Romero having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Villa-Lobos: 5 Preludes, W419: No. 2 in E Minor, Andantino | Heitor Villa-Lobos, Manuel Barrueco | E Major | 1 | 12B | 82 BPM | ||
Dedicatoria | Enrique Granados, Kurt Schneeweiss | D Major | 0 | 10B | 175 BPM | ||
Prelude (for Olga) | Jorge Morel, Gerald Garcia | A Minor | 0 | 8A | 76 BPM | ||
Sonata for Lute, Violin and Continuo, RV 82 (Arr. P. Romero for Guitar): II. Larghetto | Antonio Vivaldi, Celedonio Romero, John Corigliano, Domenick Saltarelli, Margaret Bella | A Minor | 0 | 8A | 97 BPM | ||
Allegretto | Mauro Giuliani, Tom Tilley | A Minor | 3 | 8A | 84 BPM | ||
Tristorosa | Heitor Villa-Lobos, Tatyana Ryzhkova | D Minor | 2 | 7A | 79 BPM | ||
Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
Sainz de la Maza: El Vito | Regino Sáinz de la Maza, Thibaut García | A Minor | 2 | 8A | 103 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
The Girl With The Flaxen Hair | Marshall (Arr.), Claude Debussy, Christopher Parkening | E Minor | 0 | 9A | 87 BPM |
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