"Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky)" by Jules Massenet, Mischa Maisky, Lily Maisky was released on August 17, 2018. With this song being about 5 minutes long, at 5:29, "Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky)" by Jules Massenet, Mischa Maisky, Lily Maisky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 14 in Adagietto by Mischa Maisky, Lily Maisky. Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) by Jules Massenet, Mischa Maisky, Lily Maisky is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Renaud Capuçon, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 73 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Theme from "Schindler's List" (Adapt. for Cello and Orchestra) | John Williams, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Major | 4 | 8B | 81 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Sonata No. 55 in A Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | A Minor | 0 | 8A | 80 BPM | ||
Variations Concertantes, Op. 17, MWV Q19: Theme | Felix Mendelssohn, Mischa Maisky, Sergio Tiempo | D Major | 1 | 10B | 128 BPM | ||
"Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: II. Un poco più animato | Max Bruch, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A♭ Major | 1 | 4B | 85 BPM |
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