"6 Roumanian Folk Dances, BB 68, Sz. 56: III. Stamping Dance" by Béla Bartók, Hélène Grimaud was released on October 18, 2010. With 6 Roumanian Folk Dances, BB 68, Sz. 56: III. Stamping Dance being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Resonances". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, 6 Roumanian Folk Dances, BB 68, Sz. 56: III. Stamping Dance is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Roumanian Folk Dances, BB 68, Sz. 56: III. Stamping Dance by Béla Bartók, Hélène Grimaud having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
12 Etudes, Op. 8 (1894): No. 4 Piacevole | Alexander Scriabin, Alexander Paley | B Major | 0 | 1B | 64 BPM | ||
Charades | Balanescu Quartet | C Major | 2 | 8B | 100 BPM | ||
4 Kleine Stücke: I. Timoroso | Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward | D Major | 1 | 10B | 89 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 12 in F-Sharp Minor, Op. 30, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Bagatellen: VI | Valentin Silvestrov | D Minor | 1 | 7A | 84 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Britten: Holiday Diary, Op. 5: II. Sailing | Benjamin Britten, Stephen Hough | D Major | 0 | 10B | 76 BPM |
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