"Espana, Op. 165: No. 2, Tango" by Isaac Albéniz, Gerald Fauth, Katrin Scholz, Fritz Kreisler was released on 1999. The duration of Espana, Op. 165: No. 2, Tango is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Espana, Op. 165: No. 2, Tango's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violin Recital: De Falla / De Sarasate / Kreisler / Ravel / Granados / Schtschedrin (Spanish Dance) by Gerald Fauth, Katrin Scholz. The song's track number on the album is #9 out of 21 tracks. The popularity of Espana, Op. 165: No. 2, Tango is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Espana, Op. 165: No. 2, Tango by Isaac Albéniz, Gerald Fauth, Katrin Scholz, Fritz Kreisler has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Espana, Op. 165: No. 2, Tango being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Estrellita | Manuel Ponce, Nikolaj Znaider | F♯ Major | 1 | 2B | 103 BPM | ||
España, Op. 165: 2. Tango | Isaac Albéniz, Alicia de Larrocha | D Major | 0 | 10B | 133 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Pepe Romero, Christine Pendrill, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 70 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Jan Vogler, Helmut Branny | E Major | 1 | 12B | 84 BPM | ||
Valsinha | Francisco Mignone, Luiz de Moura Castro | E Minor | 0 | 9A | 62 BPM | ||
Violin Concerto No. 3 in F Major, RV 293 "L'autunno": I. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Major | 2 | 7B | 122 BPM | ||
Thais, Act II: Meditation (version for violin and piano) | Jules Massenet, Amy Schwartz Moretti, Elizabeth Pridgen | E Minor | 2 | 9A | 66 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Serenata españole | Joaquín Malats, Pepe Romero | A Major | 0 | 11B | 82 BPM | ||
Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Trumpet and Orchestra) | Antonín Dvořák, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D Major | 1 | 10B | 92 BPM |
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