- BPM
- 82
- Key
- F♯ Major
- Camelot
- 2B
Wiegenlied (Arr. Lloyd Webber/Lenehan) - Antonín Dvořák, Julian Lloyd Webber, John Lenehan Information
- Acousticness
- 99%
- Danceability
- 13%
- Energy
- 3%
- Instrumentalness
- 96%
- Liveness
- 17%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 17%
- Loudness
- -28.133 dB
Summary
"Wiegenlied (Arr. Lloyd Webber/Lenehan)" by Antonín Dvořák, Julian Lloyd Webber, John Lenehan was released on August 4, 1995. With Wiegenlied (Arr. Lloyd Webber/Lenehan) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 21 in Cradle Song by Julian Lloyd Webber. Wiegenlied (Arr. Lloyd Webber/Lenehan) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Wiegenlied (Arr. Lloyd Webber/Lenehan) BPM
The tempo marking of Wiegenlied (Arr. Lloyd Webber/Lenehan) by Antonín Dvořák, Julian Lloyd Webber, John Lenehan is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Wiegenlied (Arr. Lloyd Webber/Lenehan) Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | |
 | Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | |
 | Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | |
 | Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 105 BPM | |
 | Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | |
 | Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | |
 | 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | |
 | Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | B♭ Major | 1 | 6B | 64 BPM | |
 | Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | |
 | Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 175 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.800023078918457
End: 0.803748607635498