"L'alba sepàra della luce l'ombra" by Francesco Paolo Tosti, Andrea Bocelli, London Symphony Orchestra, Lorin Maazel was released on January 1, 2002. The duration of L'alba sepàra della luce l'ombra is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. L'alba sepàra della luce l'ombra's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 17 in Andrea Bocelli - Sentimento by Andrea Bocelli, London Symphony Orchestra, Lorin Maazel, Franz Liszt, Gioachino Rossini, Jacques Offenbach, Jean-Paul-Égide Martini, Joaquín Rodrigo, Luigi Denza, Francesco Paolo Tosti, Ruggero Leoncavallo, Stanislao Gastaldon, Stefano Donaudy. L'alba sepàra della luce l'ombra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'alba sepàra della luce l'ombra by Francesco Paolo Tosti, Andrea Bocelli, London Symphony Orchestra, Lorin Maazel is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il turco in Italia, Act 1: "Voga, voga, a terra, a terra" (Fiorilla, Coro) | Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 102 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Sediziose voci (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Minor | 1 | 3A | 85 BPM | ||
Per Sempre | Rhydian | C Major | 6 | 8B | 71 BPM | ||
Sogno | Andrea Bocelli | A♭ Major | 5 | 4B | 92 BPM | ||
The Imitation Game | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
Madama Butterfly - Act II | Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | F♯ Major | 1 | 2B | 81 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 62 BPM | ||
Perfect Symphony (Ed Sheeran & Andrea Bocelli) | Ed Sheeran, Andrea Bocelli | A♭ Major | 4 | 4B | 95 BPM | ||
Rigoletto / Act 1: Scena e Duetto. "Pari siamo" | Giuseppe Verdi, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 85 BPM | ||
Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio | Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon Rattle | E♭ Major | 0 | 5B | 71 BPM |
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