March in E-Flat Major, BWV Anh. 127 - Johann Sebastian Bach, Christoph Eschenbach Information

Acousticness: 99%
Danceability: 43%
Energy: 19%
Instrumentalness: 94%
Liveness: 12%
Loudness: 58%
Speechiness: 4%
Valence: 79%
Popularity: 4%
Loudness: -25.16 dB

Summary

Johann Sebastian Bach, Christoph Eschenbach made "March in E-Flat Major, BWV Anh. 127" available on June 17, 2022. With March in E-Flat Major, BWV Anh. 127 being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 123 out of 350 in Bach: Classical Road Trip by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, March in E-Flat Major, BWV Anh. 127 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

March in E-Flat Major, BWV Anh. 127 BPM

The tempo marking of March in E-Flat Major, BWV Anh. 127 by Johann Sebastian Bach, Christoph Eschenbach is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

March in E-Flat Major, BWV Anh. 127 Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925	Janos Sebestyen, Johann Sebastian Bach	D Major	3	10B	139 BPM
Capriccio brillant, Op. 22: Andante	Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra	B Major	0	1B	91 BPM
Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: 1. Vivace	Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene Goossens	D Minor	2	7A	86 BPM
Keyboard Suite No. 2 (Set I) in F Major, HWV 427: I. Adagio	George Frideric Handel, Philip Edward Fisher	D Minor	0	7A	72 BPM
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro	Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel	E Major	2	12B	105 BPM
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo	Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood	A♭ Major	0	4B	75 BPM
Fantasia And Fugue In A Minor, BWV 904 : Fantasia	Janos Sebestyen, Johann Sebastian Bach	C Major	2	8B	138 BPM
Concerto for Oboe and Bassoon in G Major, RV 545: I. Andante molto	Antonio Vivaldi, Christopher Hooker, Joanna Graham, City of London Sinfonia, Nicholas Kraemer	G Major	2	9B	178 BPM
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai	Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt	E Major	2	12B	107 BPM
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga	Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward	F Major	0	7B	104 BPM

ISRC: DEF057409590
Label: L-M Records/RCA Records

Section: 0.6542284488677979

End: 0.6591861248016357