Giovanni Alvino's 'Rachmaninoff: Italian Polka (Polka Italienne) Arr. for piano solo' came out on August 31, 2022. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Rachmaninoff: Italian Polka (Polka Italienne) Arr. for piano solo only contains only one song in the album, we like to consider this song as a single. Based on our statistics, Rachmaninoff: Italian Polka (Polka Italienne) Arr. for piano solo's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rachmaninoff: Italian Polka (Polka Italienne) Arr. for piano solo by Giovanni Alvino having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tale of Tsar Saltan: The Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Sergei Rachmaninoff | G Minor | 2 | 6A | 96 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 0 | 8B | 72 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Schwedische Tänze, Op. 63 Heft I: No. 2, Ruhig bewegt | Max Bruch, Christof Keymer | D Major | 1 | 10B | 171 BPM | ||
Etudes for Piano, Op. 740: No. 31 in A Minor | Carl Czerny, Irina Smorodinova | E Major | 4 | 12B | 187 BPM | ||
Schumann: Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Paul Ji | F Major | 0 | 7B | 66 BPM | ||
Piano Concert No.15 in Bb maj, 450: II. Andante - Live Recording | Giovanni Alvino, Vincenzo Maltempo | E♭ Major | 0 | 5B | 130 BPM | ||
Fantasia, adagio e fuga (After J.S. Bach): Fantasia. Allegro ritenuto | Ferruccio Busoni, Wolf Harden | C Minor | 1 | 5A | 106 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": II. Allegro energico | Giuseppe Tartini, Ray Chen | B♭ Major | 2 | 6B | 90 BPM |
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