"The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 14b - Danse de la Fée Dragée (Act II)" by André Previn, London Symphony Orchestra was released on 1987. The duration of The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 14b - Danse de la Fée Dragée (Act II) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 14b - Danse de la Fée Dragée (Act II)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Tchaikovsky: The Nutcracker, Sleeping Beauty & Swan Lake (Highlights)". In this album, this song's track order is #20. Based on our statistics, The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 14b - Danse de la Fée Dragée (Act II)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 14b - Danse de la Fée Dragée (Act II) by André Previn, London Symphony Orchestra having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria In Excelsis | Atlanta Symphony Orchestra, Atlanta Symphony Chorus | D Major | 2 | 10B | 127 BPM | ||
Ding Dong Merrily On High | Viva La Musica | G Major | 3 | 9B | 78 BPM | ||
St Paul's Suite, Op. 29, No. 2: IV. Finale (The Dargason) | The City of Prague Philharmonic String Ensemble, Richard Hein | C Major | 3 | 8B | 133 BPM | ||
We Three Kings of Orient Are (arr. A. Harris and W. Silvester) | John Hopkins, William Silvester, Arthur Harris, Eastern Wind Symphony | E♭ Major | 3 | 5B | 97 BPM | ||
Waltz Of The Snowflakes | San Francisco Ballet | E Minor | 2 | 9A | 95 BPM | ||
The Swan Lake, Op. 20: No. 1, "Scene 1" | London Symphony Orchestra, Roderick Dunk | E Minor | 1 | 9A | 77 BPM | ||
The Sleeping Beauty - Ballet, Op.66 (1987 - Remaster): No. 8a - Pas d'action (Act I) | André Previn, London Symphony Orchestra | B♭ Major | 1 | 6B | 108 BPM | ||
Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 12e, Divertissement. Dance of the Reed Pipes | Pyotr Ilyich Tchaikovsky, André Previn, Royal Philharmonic Orchestra | B♭ Major | 2 | 6B | 104 BPM | ||
Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 13, Waltz of the Flowers | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 74 BPM | ||
Joy to the World (arr. A. Harris and W. Silvester) | Lowell Mason, William Silvester, Arthur Harris, Concordia University Chicago Wind Symphony, Richard Fischer | E♭ Major | 2 | 5B | 93 BPM |
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