Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester made "Conclusion in B flat major / Si bémol majeur / B-dur: Allegro - Adagio - Allegro" available on October 21, 2010. With Conclusion in B flat major / Si bémol majeur / B-dur: Allegro - Adagio - Allegro being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #24. Based on our statistics, Conclusion in B flat major / Si bémol majeur / B-dur: Allegro - Adagio - Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Conclusion in B flat major / Si bémol majeur / B-dur: Allegro - Adagio - Allegro by Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Scarlatti, A.: Concerto Grosso No. 1 in F Minor: III. Largo | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E Minor | 1 | 9A | 84 BPM | ||
Concerto "Il proteo o sia il mondo al Rovescio" con violino e violoncello, Archi e continuo (Fa Maggiore, RV 544): II. Largo | Antonio Vivaldi, Manfredo Kraemer, Bruno Cocset, Luca Guglielmi, Jordi Savall, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Sonata for 2 Violins and Basso Continuo: I. Allegro assai | Ignacio Balbi, Florilegium | B Minor | 0 | 10A | 132 BPM | ||
Trio Sonata in B Minor, Op. 1, No. 11, RV 79: IV. Gavotta (Presto) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Concerto 5 in A Minor, Op. 7: II. Largo-Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 1 | 12B | 82 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: III. Allegro | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | A♭ Major | 2 | 4B | 127 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM |
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