"First Suite in E-Flat Major, Op. 28 No. 1, H. 105: I. Chaconne" by Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon was released on January 1, 2006. With this song being about 5 minutes long, at 4:50, "First Suite in E-Flat Major, Op. 28 No. 1, H. 105: I. Chaconne" by Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 15 in Composer's Collection: Gustav Holst by Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, First Suite in E-Flat Major, Op. 28 No. 1, H. 105: I. Chaconne is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of First Suite in E-Flat Major, Op. 28 No. 1, H. 105: I. Chaconne by Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paris Sketches: No. 3. Pere Lachaise | Martin Ellerby, North Texas Wind Symphony, Eugene Migliaro Corporon | A Minor | 0 | 8A | 135 BPM | ||
Fantasy on a Japanese Folk Song (Live) [Live] | Samuel R. Hazo, Showa Wind Symphony, Eugene Migliaro Corporon | F Minor | 1 | 4A | 62 BPM | ||
Re(new)al: II. Wind | Viet Cuong, North Texas Wind Symphony, Eugene Migliaro Corporon, José Aponte, Mark Ford, Paul Rennick, Sandi Rennick | C Minor | 1 | 5A | 145 BPM | ||
Variations on a Korean Folk Song: III. Larghetto | John Barnes Chance, Illinois State University Wind Symphony, Stephen Steele | F♯ Major | 0 | 2B | 67 BPM | ||
Bandancing: No. 4. Slow Dance | Jack Stamp, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 1 | 5A | 112 BPM | ||
The Planets Suite, Op. 32: V. Saturn | Gustav Holst, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Neville Creed | F Minor | 0 | 4A | 71 BPM | ||
Greek Folk Song Suite, Op. 25: III. Vasiliokos tha jino | Franco Cesarini, Messiah College Symphonic Winds, Bradley Genevro | G Minor | 3 | 6A | 85 BPM | ||
Salvation Is Created (arr. B. Houseknecht) | Pavel Chesnokov, Bruce Houseknecht, Rutgers Wind Ensemble | E♭ Major | 1 | 5B | 70 BPM | ||
Brook Green Suite: III. Dance | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 82 BPM | ||
...And the Mountains Rising Nowhere: … and the mountains rising nowhere | Joseph Schwantner, North Texas Wind Symphony, Eugene Migliaro Corporon | G Major | 2 | 9B | 80 BPM |
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