On April 19, 2011, the song "My Lady Carey's Dompe" was released by Christiane Jaccottet. With My Lady Carey's Dompe being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 50 in the song's album "The 50 Most Essential Renaissance Masterpieces". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Sweden. Based on our statistics, My Lady Carey's Dompe's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With My Lady Carey's Dompe by Christiane Jaccottet having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Major, No. 3: I. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 1 | 1B | 131 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): IV. Gigue | Johann Gottlieb Goldberg, London Baroque | B Major | 3 | 1B | 139 BPM | ||
Suite No. 2 in G Minor, Z. 661: I. Prelude | Henry Purcell, Richard Egarr | A♭ Major | 2 | 4B | 48 BPM | ||
Trio Sonata in B-Flat Major, H. 584, Wq. 158: II. Largo con sordini | Carl Philipp Emanuel Bach, London Baroque | D Major | 0 | 10B | 123 BPM | ||
Sonata for 2 Oboes, Bassoon and Basso Continuo No. 5 in F, ZWV 181: 3. Allegro | Jan Dismas Zelenka, Heinz Holliger, Maurice Bourgue, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet | F Major | 3 | 7B | 131 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 10 in E minor, BWV 855 | Luc Beauséjour | E♭ Minor | 6 | 2A | 94 BPM | ||
Concerto in G Minor: II. Largo | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | B♭ Major | 1 | 6B | 137 BPM | ||
Trio Sonata in B-Flat Major, Op. 5, No. 17, RV 76: I. Preludio: Andante | Antonio Vivaldi, Danubius Ensemble | B♭ Major | 1 | 6B | 78 BPM | ||
Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G, R.101: 2. Largo | Antonio Vivaldi, Michala Petri, Heinz Holliger, Felix Ayo, Pasquale Pellegrino, Christiane Jaccottet, Klaus Thunemann, Jonathan Rubin, Thomas Demenga | D Minor | 1 | 7A | 134 BPM | ||
Well Tempered Piano, BWV 846: No. 1, Präludium, Ave Maria | Christiane Jaccottet | C Major | 6 | 8B | 117 BPM |
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