"Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo La Licenza: Non È Scipio" by Jed Wentz, Daniel Reuss, Claron Mc Fadden, Emilio, Francine Van Der Heyden, Arts Music Recording, Rotterdam, Wolfgang Amadeus Mozart, Publio, Fortuna, Terence Mierau, Musica ad Rhenum, Marcel Reijans, Cappella Amsterdam, Costanza, La Licenza, Claudia Patacca was released on March 28, 2007. With Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo La Licenza: Non È Scipio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jed Wentz, Daniel Reuss's "Mozart Edition Volume 17" album is number 10 out of 25. The popularity of Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo La Licenza: Non È Scipio is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo La Licenza: Non È Scipio by Jed Wentz, Daniel Reuss, Claron Mc Fadden, Emilio, Francine Van Der Heyden, Arts Music Recording, Rotterdam, Wolfgang Amadeus Mozart, Publio, Fortuna, Terence Mierau, Musica ad Rhenum, Marcel Reijans, Cappella Amsterdam, Costanza, La Licenza, Claudia Patacca to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Turco in Italia / Act 1: "Nostra patria è il mondo intero" | Gioachino Rossini, Coro Del Teatro Alla Scala Di Milano, Laura Polverelli, Francesco Piccoli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | E Major | 5 | 12B | 85 BPM | ||
Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II (1) - Remastered 2024 | Johann Sebastian Bach, Hermann Scherchen, Vienna State Opera Orchestra | C Major | 1 | 8B | 149 BPM | ||
Requiem, Offertorium: II. Hostias et preces | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo Vitale | C Minor | 1 | 5A | 85 BPM | ||
Les Danaïdes, Acte I Scène 1: Air de danse | Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset | F Major | 4 | 7B | 72 BPM | ||
La Serva Padrona · Intermezzo Primo: VII. 07 Recitativo: In somma delle somme | Giovanni Battista Pergolesi, Christian Immler, Boston Early Music Festival Chamber Ensemble, Amanda Forsythe, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | ||
Paulus: II. Teil: Nr. 27 Rezitativ T "Da aber die Juden das Volk sahn" - Chor "So spricht des Herr" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, James Taylor | B♭ Major | 1 | 6B | 170 BPM | ||
Grande Messe des Morts: IV. Introitus: Exaudi orationem meam - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 1 | 4A | 82 BPM | ||
Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
Symphony No.92 In G Major Hob.I92: II. Adagio | Joseph Haydn, Maxwell Philharmonic Orchestra | D Major | 0 | 10B | 67 BPM | ||
Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": III. Credo. Et incarnatus est | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir | C Minor | 1 | 5A | 114 BPM |
Section: 0.7139201164245605
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