Where It Comes From
Michele Rosewoman, Gene Jackson, David Baker, Kenny Davis, Steve Wilson
Guardians of the Light
10:37 January 1, 2000
BPM
117
Key
C Major
Camelot
8B

Embed

Share Link

Where It Comes From - Michele Rosewoman, Gene Jackson, David Baker, Kenny Davis, Steve Wilson Information

Acousticness
76%
Danceability
48%
Energy
43%
Instrumentalness
43%
Liveness
50%
Loudness
72%
Speechiness
5%
Valence
37%
Popularity
Loudness
-16.616 dB

Summary

Michele Rosewoman, Gene Jackson, David Baker, Kenny Davis, Steve Wilson's 'Where It Comes From' came out on January 1, 2000. Where It Comes From appears to be safe for all ages as it is not explicit. The track order of this song in Michele Rosewoman, Gene Jackson, David Baker's "Guardians of the Light" album is number 4 out of 9. In terms of popularity, Where It Comes From is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Where It Comes From BPM

We consider the tempo marking of Where It Comes From by Michele Rosewoman, Gene Jackson, David Baker, Kenny Davis, Steve Wilson to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Where It Comes From Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
You Can See by Monty AlexanderYou Can SeeMonty AlexanderC Major18B78 BPM
Lekeitio by Alexis Valet, Dayna Stephens, Aaron Parks, Joe Martin, Kush AbdeyLekeitioAlexis Valet, Dayna Stephens, Aaron Parks, Joe Martin, Kush AbdeyB Major41B107 BPM
Blues for Seagull by Oliver Mewes, Olaf Polziehn, Jos MachtelBlues for SeagullOliver Mewes, Olaf Polziehn, Jos MachtelF Minor24A120 BPM
Gone On and Get That Church by Joe AltermanGone On and Get That ChurchJoe AltermanC Major58B116 BPM
Waiting Room Anxiety Blues by Lennart Ginman, Thomas Blachman, Carsten DahlWaiting Room Anxiety BluesLennart Ginman, Thomas Blachman, Carsten DahlD Minor37A105 BPM
Tribute to Duke by Peter Ponzol, Art ResnickTribute to DukePeter Ponzol, Art ResnickG Minor16A63 BPM
Ambivertilismer by Erlend Skomsvoll TrioAmbivertilismerErlend Skomsvoll TrioD Major210B112 BPM
Modular Identity by Maurizio Giammarco, Halfplugged Syncotribe, Luca Mannutza, Enrico Morello, Matteo Bortone, Paolo ZouModular IdentityMaurizio Giammarco, Halfplugged Syncotribe, Luca Mannutza, Enrico Morello, Matteo Bortone, Paolo ZouF Major47B92 BPM
That Syncing Feeling by Ivo Neame, Jasper Høiby, Tori Freestone, Dave Hamblett, Shabaka Hutchings, Jim Hart, Jon Shenoy, Jason YardeThat Syncing FeelingIvo Neame, Jasper Høiby, Tori Freestone, Dave Hamblett, Shabaka Hutchings, Jim Hart, Jon Shenoy, Jason YardeF♯ Minor211A113 BPM
Vallmo by Henning Ullén, Mauritz Agnas, Nils AgnasVallmoHenning Ullén, Mauritz Agnas, Nils AgnasB Major11B64 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5283937454223633

End: 0.5314249992370605