"Stemning" by Wilhelm Peterson-Berger, Jens Peter Jacobsen, Uppsala University Chamber Choir, Stefan Parkman was released on January 1, 1988. The duration of Stemning is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Stemning's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Stemning". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. Stemning is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stemning by Wilhelm Peterson-Berger, Jens Peter Jacobsen, Uppsala University Chamber Choir, Stefan Parkman having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 110 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Rinaldo: Lascia ch'io pianga | Lesley Garrett, Ivor Bolton, Philharmonia Orchestra | D Major | 2 | 10B | 106 BPM | ||
Madrigal (Kom, du ljuva hjartevan) (arr. C. Schreiber): Kom, du ljuva hjartevan (Come you sweetest maid!) (arr. for male chorus) | Adam de la Halle, Carl Schreiber, Orphei Drängar, Robert Sund | D♭ Major | 0 | 3B | 75 BPM | ||
Frosoblomster (Froso-Flowers), Book 1, Op. 16: No. 2. Sommarsang (Summer Song) | Wilhelm Peterson-Berger, Noriko Ogawa | F Major | 1 | 7B | 129 BPM | ||
5 Stücke im Volkston, Op. 102: II. Langsam | Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | F Major | 0 | 7B | 62 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen | Johannes Brahms, Berliner Philharmoniker/Sir Simon Rattle/Rundfunkchor Berlin/Simon Halsey/Dorothea Röschmann/Thomas Quasthoff, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 132 BPM | ||
Trumpet Tune in C Major, ZT 697 (Arr. for Brass Ensemble and Organ) | Henry Purcell, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 99 BPM |
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