On February 3, 2015, the song "Symphony No. 48, Op. 355 "Vision of Andromeda": II. Fugue: Allegro" was released by Alan Hovhaness, Eastern Music Festival Orchestra, Gerard Schwarz. The duration of Symphony No. 48, Op. 355 "Vision of Andromeda": II. Fugue: Allegro is about 3 minutes long, at 3:11. Based on our data, "Symphony No. 48, Op. 355 "Vision of Andromeda": II. Fugue: Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Alan Hovhaness, Greg Banaszak, Eastern Music Festival Orchestra, Gerard Schwarz's "Hovhaness: Works for Orchestra & Soprano Saxophone" album is number 6 out of 8. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Symphony No. 48, Op. 355 "Vision of Andromeda": II. Fugue: Allegro's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Symphony No. 48, Op. 355 "Vision of Andromeda": II. Fugue: Allegro by Alan Hovhaness, Eastern Music Festival Orchestra, Gerard Schwarz to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Shining, Act I: Hey Doc--how hard can you hit? | Paul Moravec, Lyric Opera of Kansas City, Gerard Schwarz, Edward Parks, Kelly Kaduce, Tristan Hallett, Aubrey Allicock, Roger Honeywel | F Minor | 3 | 4A | 77 BPM | ||
Concertstück in F Major, Op. 86: III. Sehr Lebhaft | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | F Major | 1 | 7B | 132 BPM | ||
Concerto for Cello and Orchestra: I | Philip Glass, Julian Lloyd Webber, Gerard Schwarz, Royal Liverpool Philharmonic Orchestra | A♭ Major | 2 | 4B | 74 BPM | ||
Alan Hovhaness: Prayer to St. Gregory: Organ Accompaniment | Alan Hovhaness, Sivo Penev, Trumpet Records | A Minor | 0 | 8A | 68 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
The Shining, Act I: Interlude 1 | Paul Moravec, Lyric Opera of Kansas City, Gerard Schwarz, Edward Parks, Kelly Kaduce | F Minor | 3 | 4A | 77 BPM | ||
The Firebird, Tableau I: Infernal Dance of Kastchei and His Subjects Under the Firebird's Magic Spell | Igor Stravinsky, Philharmonia Orchestra, Robert Craft | F♯ Major | 4 | 2B | 156 BPM | ||
Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
Fresh Paint | Anne Dudley | D Minor | 1 | 7A | 115 BPM | ||
Symphony No. 4: Measures 712-End | David Maslanka, Dallas Wind Symphony, Jerry Junkin | F Major | 2 | 7B | 89 BPM |
Section: 1.2337896823883057
End: 1.2376892566680908