Salamanca - Peter Jacobs Information

Acousticness
99%
Danceability
43%
Energy
6%
Instrumentalness
91%
Liveness
11%
Loudness
67%
Speechiness
4%
Valence
3%
Popularity
Loudness
-19.861 dB

Summary

"Salamanca" by Peter Jacobs was released on 1992. Since Salamanca is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 17 in Balfour Gardiner: Piano Music by Peter Jacobs. Salamanca is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Salamanca BPM

The tempo marking of Salamanca by Peter Jacobs is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Salamanca Key

This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
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Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 2. Sempre espressivo ed assai Legato by Max Reger, Marc-André HamelinVariations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 2. Sempre espressivo ed assai LegatoMax Reger, Marc-André HamelinB♭ Major26B169 BPM
Pavane variée: Var. 3. Più tranquillo, poco rubato a piacere by Marc-André HamelinPavane variée: Var. 3. Più tranquillo, poco rubato a piacereMarc-André HamelinC Major08B129 BPM
Seven Essays in the Modes, Op. 78 : VII. Prismic by John Foulds, Peter JacobsSeven Essays in the Modes, Op. 78 : VII. PrismicJohn Foulds, Peter JacobsD Major810B120 BPM
Scherzino by Arthur Benjamin, Peter JacobsScherzinoArthur Benjamin, Peter JacobsA♭ Major14B113 BPM
A Hermit Thrush at Eve, Op. 92 No. 1 by Amy Beach, Martina FrezzottiA Hermit Thrush at Eve, Op. 92 No. 1Amy Beach, Martina FrezzottiE♭ Minor22A89 BPM
Etude De Concert, Op. 19, No. 2 in A Major - Duo-Art 5726 by Eduardo Poldini, Peter Phillips, Desider VecseiEtude De Concert, Op. 19, No. 2 in A Major - Duo-Art 5726Eduardo Poldini, Peter Phillips, Desider VecseiA Major111B69 BPM
On an Overgrown Path, JW VIII/17, Book 1: No. 2, A Blown-Away Leaf by Leoš Janáček, Lars VogtOn an Overgrown Path, JW VIII/17, Book 1: No. 2, A Blown-Away LeafLeoš Janáček, Lars VogtD♭ Major03B75 BPM
Piano Sonata No. 2: I. Monody by Raymond Warren, Peter JacobsPiano Sonata No. 2: I. MonodyRaymond Warren, Peter JacobsA Minor28A81 BPM
Janáček: On an Overgrown Path, Book II: No. 5, Allegro by Leoš Janáček, Piotr AnderszewskiJanáček: On an Overgrown Path, Book II: No. 5, AllegroLeoš Janáček, Piotr AnderszewskiB Major01B76 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.084641933441162

End: 1.0882208347320557